I’m not sure that I should be considered any sort of “branding expert,” but I do have an essay in the current Poets & Writers on my ambivalence about self-promotion, and the struggle to balance promoting your work with promoting yourself. See the print edition if you can get it!
Before long, some 12,000 writers and 2,000 presenters will descend on this town (Minneapolis) for the annual AWP Conference & Bookfair. Officially, it’s the largest literary conference in the country. Unofficially (I’m told) it’s a big party for writers. Whatever it is, the number of panels and speakers is mind-boggling, and I don’t know how anyone could choose between them. Fortunately for me that choice is easier, since I’ll be on two panels, both related to travel writing. Both should make for great conversations on important issues.
The first, is called, “Can Literary Quarterlies Save Travel Writing?” and features some people I’ve known for a while, and others I haven’t: Jim Benning, Tom Swick, Pamela Petro and Sally Shivnan. I’ll be standing in for the moderator, Evan Balkan. I expect we will answer this question definitively.
The other is “Wild v. Into the Wild: X and Y Chromosomes in Travel Writing,” featuring Eva Holland, Brian Kevin and Kelly Ferguson moderating, with a focus on the differences between men’s and women’s travel writing.
If that wasn’t enough, there will also be a travel writing-themed reading called “Notes From the Road” on Saturday at 4pm at Honey, featuring many of the same writers, as well as Leif Peterson, Annie Scott Riley and Doug Mack, who kindly organized the event and who is busy finishing his new book about the U.S. Territories.
Sometime around 1999, a property developer named Basim Sabri was sitting on a bucket in a building he’d just bought off Lake Street in Minneapolis. For twenty years, the place had sat abandoned and rotting. Now he was trying to fix it up, even though he had no idea what he was going to do with it. Then in walked two guys.
“One of them had a very pleasant face,” Sabri recalls. “He said, ‘Will you guys have a coffee shop here?’ And I said, ‘Sure!’
I asked where they were from and he says, ‘Somalia, and there are so many of us coming.’”
The man only had a couple thousand dollars saved up, but Sabri helped him out and soon, as he tells it, half the Somalis in town were coming over asking for a spot. Sabri, who grew up in the Palestinian Territories, had traveled the world and he loved open-air bazaars. So he decided to recreate a bazaar inside the building. As soon as he did, the building was full.
The venture was so successful that Sabri built another entire building next door as an expanded Somali mall called Karmel Square. Today it is the biggest of several Somali malls in town with 175 businesses, including shops, restaurants, grocery stores, a mosque, a learning center, day care, and more. It is, for many of those who visit, a piece of Somalia, salvaged from memories and reborn in an old building. It has zero vacancy.
After a long gestation, I’m happy to announce that Issue No. 5 of Thirty Two Magazine has finally come out. Regular readers will notice the design has changed, and is the cleanest yet for your clutter free reading. But the content hasn’t! Here are a few of the pieces you’ll find inside:
1) A gorgeous photo essay by Priscilla Briggs on the the history and current state of the shopping mall, for which I wrote the text.
2) A fascinating interview with Bloomberg View China correspondent and author of Junkyard Planet, Adam Minter, in which he talks about the global recycling industry. He also calls out Apple Computers for their deceptive recycling campaign.
3) Jack El-Hai telling how he went from always thinking of the local angle to panning back and going bigger for his new book, The Nazi and the Psychiatrist. Elsewhere three other writers, Nicole Helget, Deni Bechard and Jen Percy, talk about the places they wrote their books.
There are also essays by Andy Sturdevant, Josh Cook, and a piece by Forest Lewis about Chris Larson‘s Bauhaus inferno that was titled Celebration/Love/Loss. There are profiles, histories, poetry and fiction (the last by Maggie Ryan Sandford). And of course the lovely photography of Louisa Podlich.
Over the years, people have looked at the “vast wasteland” of television and seen the approaching end of western civilization. I try to take criticism of the medium with a grain of salt, but I recently came across some studies suggesting that it wasn’t only me who had changed.
Two researchers at the University of California, Yalda Uhls and Patricia Greenfield, devised a way to measure the values expressed in U.S. television shows. Their idea was not that TV is a corrupting influence or a source of moral instruction, but a mirror that reflects our society back to us.
Given how much the world has changed over the decades, you might not think that TV shows from the years 1967, 1977, 1987, and 1997 would have much in common. But they did. Taking the two most popular programs for tweens from each of those years, as well as from 2007, Uhls and Greenfield looked for 16 values demonstrated by the characters, such as benevolence, popularity, community feeling, financial success, tradition, and fame.
For the first four decades, the shows were fairly consistent: Community feeling was the top value for all of them except 1987, when it ranked second. Benevolence and tradition were consistently at the top. Meanwhile, fame ranked 15th in 1967, 1987, and 1997. (In 1977, it was 13th.)
Achievement and financial success hovered around the bottom half of the list; they were never dominant forces in the characters’ lives.
By 2007, however, community feeling had dropped to the 11th spot. Benevolence had fallen to 12th, and tradition to 15th. Financial success had jumped from 12th to 5th since 1997, achievement to 2nd, and fame to 1st.
It’s been nearly a year since the launch of Thirty Two Magazine, and the fourth issue is now out–the biggest yet by far. Not only are there fantastic pieces on the Dark Cloud soccer fans, the sharing economy, fiction about life in Antarctica, and more. There’s also beautiful photo essay of artists’ work spaces. For my part, I interviewed Andrew Lange of the experimental record label Taiga, which puts out albums on limited-edition vinyl. I also wrote about wildlife art.
Better yet: Two free albums also come with this issue, called Two Seasons: Thirty Two & Friends, which features 19 songs by local bands (including the lovely “Clouds” by the late Zach Sobiech) and which you can download from the site, plus a CD sleeve to cut out from the magazine.
From Thirty Two Magazine:
Driving north from Des Moines not long ago, I veered off the freeway to a place I knew about but had never had any reason to visit. When I got there, I could see why: Mason City, Iowa was a miserable looking town filled with functional commercial buildings that left me with a vague feeling of despair as I passed them by.
Nonetheless, I was there because the city had done something historic, something of such cultural significance that I had first seen mention of it on the BBC. It had saved and restored one of the most important buildings in the world, the City National Bank and Hotel, designed by Frank Lloyd Wright and first opened in 1910. Now it had been reborn as the Historic Park Inn after a $20 million renovation.
It may be news to you that Mason City exists, let alone that it has such a building. But it does, and the fact that this is not widely known seems to me like some kind of crime. Barely anyone is aware that one of the most architecturally significant hotels in the world could exist in an ordinary, downtrodden Midwestern town. It is this fact that I find both so inspiring and so disturbing.