It used to be that when I looked in the mirror, I saw many things: a body; a collection of cells; a fantastic kind of machinery. I didn’t see these things because they were a reflection of reality, or because the body and brain are, in fact, machines. I saw them because I was born in America, and that is my culture.
In our country, we have what’s known as a mechanistic understanding of our bodies. We imagine ourselves to be machines made of meat and bone. We see the doctor as a mechanic whose job is to find the broken parts and fix them. For at least a century this has been our primary metaphor for talking about sickness and health, about how our bodies work and break down. In its popular 1960s television special, National Geographic flatly described the human body as “The Incredible Machine.”
The body is incredible, but my view of it as a machine — the validity of that metaphor — started to break down in the process of researching my book, “The Geography of Madness,” about the so-called “cultural syndromes.”
“Of course, one cannot think without metaphors,” Susan Sontag wrote in her 1989 essay, “AIDS and its Metaphors,” “But that does not mean there aren’t some metaphors we might well abstain from or try to retire.”
Frank Bures 