Archive for the Writing Category

Focus Power! Tools for Managing Information Overload and Digital Distraction (or Timers, Tools and Self-Flagellators)

Posted in America, Writing on February 7, 2012 by frankbures

Perhaps you remember a quieter, less-connected era. Well, that’s gone.  As I wrote about in this month’s Poets & Writers, we will probably never go back to a period when solitude was something to be found in plenty like stones on the beach.  For better or worse, the Internet is here to stay.  Solitude must be cultivated and engineered into one’s life. As more people struggle with this, more solutions for dealing with it are being developed. I’ve used quite a few of these so-called productivity tools, which also might be called piece-of-mind tools.  If social media really is, as David Farley says, like cocaine then here’s your rehab:

For Internet Regulation:
Self Control (Mac)
Self-Restraint (PC)
By far and away the best. Cuts off your computer’s wireless signal. Impossible to reset.  Has other settings, which I have not experimented with.
Freedom
Does the same, but early versions could be reset by rebooting your computer. Not sure about the newer ones.
Leechblock (Firefox)
Great for focusing and blocking website you tend to check without thinking.
Stay focused (Chrome)
Same idea for Chrome.
Anti-Social
Blocks social media.
Rescue Time
Much ballyhooed program with a variety of features, most notably analytics about how you spend your time online. (Be afraid!)
About Me
Similar program as an add-on for Firefox.
Readability
Cleans up web pages so you can actually read them.

For on screen distraction/focus
Isolator
Very nice program that lets you work on one program at a time, blacking out others.
Concentrate
A bit spendy, but this is a big suite of things, mostly along the Isolator lines, but also with some Internet control features.
Read more »

Is the Internet Making You Less Creative?

Posted in Writing, Clips, Writers, Science on February 1, 2012 by frankbures

In the current issue of Poets & Writers is a story that was long in coming, on an issue my friends are tired of hearing me harp on: information overload. Obviously, I’m not the first person to write about this, but my concern is not only about the annoyance of dealing with too many data streams. Rather, it’s about the cumulative effect that the constant intake is having on the deeper, more mysterious processes in the mind.  Namely, I am concerned about creativity.

Two recent pieces in the New York Times have gotten at this same point.  In Pico Iyer’s The Joy of Quiet, he writes that, “Nothing makes me feel better — calmer, clearer and happier — than being in one place, absorbed in a book, a conversation, a piece of music.”  In Susan Cain’s piece on the New Groupthink and the cult of collaboration, she writes that “solitude is a catalyst to innovation,” and that “Culturally, we’re often so dazzled by charisma that we overlook the quiet part of the creative process.”

This concern is something in the air, but it’s not a new phenomenon.  Recently, a friend posted Henry Miller’s Commandments from 1933, the first of which is,  “Work on one thing at a time until finished.” And D.T. Suzuki wrote in his 1953 introduction to Zen in the Art of Archery, “Man is a thinking reed but his great works are done when he is not calculating and thinking.”

For those of us who value solitude it’s a concern that has taken on a new urgency. I don’t pretend to have any answers, but this new piece explores the issue in what I hope is a new way. For example, while there is much talk of “attention” these days, and a growing awareness of its importance, there has been very little discussion of the fact there are different kinds of attention. We have two neurologically distinct attentional systems which work at cross purposes:  Focused attention and distracted attention. Which one are you using right now?

The following are my thoughts, along which those of a handful of other writers, on how to keep your inner space alive when the outer one keeps pressing in. As Zadie Smith recently advised,”Protect the time and space in which you write. Keep everybody away from it, even the people who are most important to you.”

The story can be found here:

Inner Space: Clearing Some Room for Inspiration

Long Live Long Form

Posted in Books, Writers, Writing on January 2, 2012 by frankbures

Flying in the face of the ever-shrinking attention span, two new publishers are hard at work pushing long-form narrative nonfiction into new territory.  If you’re a writer you’ve probably heard about these. If you haven’t, please check out both Byliner and The Atavist.  For a place to start, here are some great stories:

Bill Donahue’s just-released piece The Secret World of Saints, about the world’s first Native American saint.
Matt Power’s Island of Secrets, about one man’s search for an undiscovered kind of tree kangaroo on the island of New Britain.
Dave Wolman’s The Instigators, about the digital activists who started the Arab Spring.
And of course, Jon Krakauer’s Three Cups of Deceit, about the Greg Mortenson fiasco.

These are perfect for the bus or plane if you have some sort of e-reader.  It’s well-worth the $2 or $3 for a great, meaty read.  After all, how much did you pay for your last coffee?

Trip Shakespeare: The Bard Meets A Bend in the River

Posted in America, Art, Clips, Travel, Writing on June 20, 2011 by frankbures

In the July issue of Minnesota Monthly is a short piece I did on the Great River Shakespeare Festival in my home town of Winona, Minnesota.  The rise of the festival in recent years has been heartening to watch. It has given a new dimension to the town that I wrote about earlier this year, and for which I received some wonderfully thoughtful commentary. (“Find a dumpster in some other town for your drugs, your friends, and your miserable life, and your lousy article!“) Anyway, Winona today is no doubt a different place than it was a quarter century ago.  And since Shakespeare moved in, the neighborhood has been much improved. (You can read the piece here.)

Profile Writing at The Loft’s Creative Nonfiction Conference

Posted in Events, Teaching, Writing on March 4, 2011 by frankbures

This month, on March 12, I’ll be teaching a class at The Loft’s Creative Nonfiction Conference called In Profile: The Art of Writing Life.  We’ll look at work by Elizabeth Gilbert, Michael Paterniti, Bill Bryson and others who have worked in one of the richest veins of narrative nonfiction.  Besides that, there are lots of other great classes. Sign up here!

Telling True Stories: Three award-winning writers discuss their craft

Posted in Books, Events, Writers, Writing on February 17, 2011 by frankbures

Next Wednesday, Deborah Blum, Michael Perry, and J.C. Hallman will be discussing the art of nonfiction storytelling at the Open Book Center in Minneapolis.  There is a reception, with wine and cheese, at 7 pm, followed by Panel Discussion at 7:30, and a book signing after the event.  Admission: $10, $5 for Loft/American Society of Journalists & Authors members, and students.

The Writers:

The future of publishing may be in flux, but one thing remains constant: There will always be a need for writers who can tell a good story. This panel brings together three master storytellers to discuss their craft and to examine the role of narrative journalism in the 21st century.

Deborah Blum is a Pulitzer Prize-winning science writer and the author of four books including her latest, The Poisoner’s Handbook. She has written for The New York Times, Slate, The Wall Street Journal The Washington Post, The Los Angeles Times, Discover, Science News, and New Scientist. She has appeared as a guest on The Today show, Good Morning America, and NPR’s This American Life, Morning Edition, and Talk of the Nation/Science Friday. (deborahblum.com)

Michael Perry is a humorist and author of the bestselling memoirs Population 485: Meeting Your Neighbors One Siren at a Time, Truck: A Love Story and Coop: A Year of Poultry, Pigs and Parenting, as well as the essay collection Off Main Street. Perry has written for Esquire, The New York Times Magazine, Outside, Backpacker, Orion and Salon.com, and is a contributing editor to Men’s Health. His stories have appeared in the The Best American Science and Nature Writing 2007, the Oxford American Book of Great Music Writing and other anthologies. (www.sneezingcow.com)

J.C. Hallman is the author of three books of literary journalism, In Utopia, The Chess Artist, and The Devil is a Gentleman, and a book of stories, The Hospital for Bad Poets. As a journalist, he has interviewed a tyrant, attended satanic rituals, joined Scientology, lived at communes, dissected heads, and sailed on the world’s first residential cruise ship. His stories have appeared in the Best American Travel Writing and other anthologies. (www.jchallman.com)

Sponsored by The Loft Literary Center, the ASJA Educational Foundation and the Upper Midwest chapter of the American Society of Journalists & Authors

See also here, or RSVP on Facebook here.

Chris Jones on How to Be a Writer

Posted in Writers, Writing on January 26, 2011 by frankbures

Got to respect a guy who can write about his balls and his dad in the same issue.  One of the best:

First off, a pro is necessarily getting paid to do what he does, and that’s a tough trick these days all on its own. But a pro is also defined by the scope and practice of his operation. A pro has sources. A pro knows how to spot a lie. A pro does the work. A pro gets it right. A pro knows how to hustle the corner, but he also knows his way around a paragraph. A pro does it all, and he does it all well, without vanity or fireworks. A pro doesn’t leave any holes or openings, in his soul most of all.

More on that, and writing, here.

Tony Judt on Shoddy Prose

Posted in Books, Words to live by, Writing on January 7, 2011 by frankbures

Tony Judt, from The Memory Chalet:

In “Politics and the English Language,” Orwell castigated contemporaries for using language to mystify rather than inform. His critique was directed at bad faith: people wrote poorly because they were trying to say something unclear or else deliberately prevaricating. Our problem, it seems to me, is different. Shoddy prose today bespeaks intellectual insecurity: we speak and write badly because we don’t feel confident in what we think and are reluctant to assert it unambiguously (“It’s only my opinion…”). Rather than suffering from the onset of “newspeak,” we risk the rise of “nospeak.”

You can also read the essay here.

Reading at Manhattan College

Posted in Events, Writing on November 3, 2010 by frankbures

Next week, if you’re in New York City and are looking for something unbelievably exciting to do, I’ll be giving a reading/talk at Manhattan College on Tuesday, November 9 at 4:00 in the O’Malley Library Rotunda Room.  Everyone in New York is invited! (It’s a big rotunda.)

Words

Posted in America, Art, Video, Writing on August 12, 2010 by frankbures

Another amazing video from Will Hoffman (and Daniel Mercadante) via Radio Lab.

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